A photorealistic cinematic 16:9 film still in a dim residential American suburban street, low-light dusk register with smoke and dust suspended in the air. Camera at low-medium height, slightly below her eye line, framing Iustitia centered and full-figure with the prone Daemon Minor sprawled across the lower foreground beneath her right boot. The composition catches her in the active mid-strike beat of Saint Michael Triumphant — body upright, weight planted, shoulders squared toward the camera vantage, her face angled downward toward the demon, eyes locked on the target. Her right boot is planted on the demon's chest pinning it to the asphalt, the demon's body sprawled supine with limbs splayed, one clawed hand reaching up in futile defense, the wide reptilian skull turned toward the camera in mid-recoil. She holds @img1 — the SHORT BARREL PROFILE M4-style carbine, compact close-quarters length, with the GOLD ENGRAVED CHI RHO on the lower receiver — raised in proper two-handed shooting grip at shoulder height, the muzzle depressed downward toward the demon at her feet. The aim line runs from her hands down through the rifle muzzle to the demon's center mass — the geometric line reads cleanly across the frame from upper-right (her shoulders) to lower-left (the demon's chest where the muzzle terminates). @img2 — plate armor, weathered steel, intact. Crown braid woven horizontally across top of the head. White feathered wings spread wide behind her, the wing surfaces visible across the upper-frame margins. HALO: thin luminous ring of warm gold light, faintly translucent, soft falloff at edges, a halo of light, not of metal — visible above her crown. @img3 sprawled supine across the lower foreground — quadrupedal, lean elongated body much longer than tall, hugging the ground in low predator posture, wide flat reptilian skull, spade-tipped whip tail, dark sanguine red-brown hide. The demon mid-recoil, one clawed hand raised toward her in last defense, jaw open in soundless protest, the wide reptilian skull turned toward the camera. Demon eye-glints catch dim cool reflections of the ambient light, NOT warm-saturated. Setting: residential American suburban street — distant tract houses silhouetted against the smoke-and-dust haze on either side of the frame, a power line and a telephone pole on the left edge, the asphalt of the street stretching beneath them, drifts of dust kicked up around the demon's body and her boots. Mid-engagement aftermath, no civilians visible. Lighting: LOW and DIM-DUSK — overcast oppressive sky breaking partially overhead, a single shaft of warm gold light penetrating the cloud cover from above and catching her halo and the upper edges of her wings, the ground level still dim and dust-laden. The halo's warm gold ring is the dominant warm element, with the shaft of broken-cloud light reading as the divine source the halo answers to. Color grade: cool-biased white balance, heavily desaturated palette, hard-crushed blacks in the asphalt and the silhouetted houses and the demon's underside shadows, selective warm gold strictly reserved for the halo ring, the GOLD ENGRAVED CHI RHO on the rifle receiver, and the broken-cloud divine light shaft above. Demon hide reads deep sanguine. NO blue tint, NO teal cast — cool desaturation with natural cool whites in the smoke and dust. Shot on an ARRI Alexa Mini with an anamorphic lens, slight halation around the warm halo and the divine light shaft, faint atmospheric haze of smoke and dust suspended throughout, slight motion blur on the demon's raised clawed hand suggesting just-arrived recoil. Composition: Saint Michael Triumphant (Guido Reni's Capuchin altarpiece template) in the active mid-strike beat — saint above, demon below, foot planted on the demon's body, weapon raised mid-execution. Direct lift of the Counter-Reformation altarpiece template, modern-translated to suburban America with rifle replacing spear. The pose reads before the modern weapon does. NO LABELS, NO ANNOTATIONS, NO TEXT OF ANY KIND in the final output. The GOLD ENGRAVED CHI RHO on the rifle receiver is a diegetic marking permitted as part of the prop design.