turbulent ink splatters on hanji paper reminiscent of china's black brush painting tradition, juxtaposed with the expressive, gestural brushwork of kazuki takamatsu, intricately woven with the loose, correspondent brushstrokes of théodore géricault. symbolic, emblematic figures divine the background, entwined with the abstract nature of letras y figuras, itself an examination of the relationships between letters and figures. tight, compact compositions fill the frame, lopped off just shy of the borders, cropping the surrounding space, 71:130 proportions optical differing results.