Three-quarter close-up portrait of one woman, enigmatic, amid a zombie outbreak in a city teeming with clones, clad in the Armor of Blood. Styled by TMax Bedulenko, the scene shifts seamlessly between a space station and a classroom, evoking a romantic 1920s ambiance. The narrative intertwines two personas, capturing duality in a conceptual draft, blending paint with the essence of Ironman, complete with motorbikes and bikers. She stands with an exaggerated head, shoe laces trailing, dual navels hinted at, a long beard, and pointed footwear. The scenario embraces surreal elements like fused fingers and blurred features, leading the viewer through a dreamscape of mutation and distorted anatomy. The visuals are rendered in black and white, capturing a vintage tone, much like an old photograph with grainy details, an aura of sepia, and the nostalgic charm of low-resolution texture, all while flirting with elements of a cartoonish sketch, a playful nod to artistic imperfections and whimsical reinterpretations.