Three-quarter close-up portrait of a woman, set in a city experiencing a zombie outbreak, where everyone appears as clones. She is adorned with The Armor of Blood, envisioned by TMax Bedulenko. The backdrop shifts between a space station, a Provence-inspired interior, and a classroom. The composition captures the romantic style reminiscent of the 1920s, showcasing two faces intertwined in a concept draft. Elements such as Ironman and a motorbike add a futuristic touch, while her attire hints at a biker theme. She has unique features like shoe laces, two navels, a pronounced head, a long beard, and pointed footwear, creating a surreal, almost dreamlike atmosphere. There's an intentional artistic swirl of mutated anatomy, fused fingers, and playful disfigurement, inviting the viewer to embrace an abstract and conceptual interpretation. Her hands appear fluid, and some facial features seem blurred and ethereal, reminiscent of an old black-and-white photo or an analog sketch. The style is cartoonish, low-resolution, with exaggerated proportions, evoking a sense of fantasy.