Three-quarter close-up portrait of a single woman in a city overtaken by a zombie outbreak, featuring clone elements, with the Armor of Blood, drawing inspiration from TMax Bedulenko. Set against a space station backdrop with a Provence interior and a classroom vibe, capturing a romantic style reminiscent of the 1920s. Incorporates elements of two faces and concepts of draft painting. Includes aspects reminiscent of Ironman, a motorbike, and biker themes, with exaggerated features such as a large head, long beard, and pointed footwear. The scene is black and white, with intentional low resolution to give an old-photo effect, blending surreal anatomy and whimsical details. The focus is on creativity, fusing unexpected elements like liquid forms, blended body parts, and artistic errors for a compelling visual narrative.