three-quarter close-up portrait of a single woman, secretive expression, full body view, dynamic angles, amidst a zombie outbreak in a city filled with identical people, wearing The Armor of Blood inspired by TMax Bedulenko’s aesthetics, set in a space station, a Provence-style interior, and a vintage classroom from the year 1920; capture a romantic essence with dual faces, two individuals in thought, illustrated concept art, reminiscent of a draft painting; incorporate elements of Ironman and motorbikes featuring a biker with a prominent head, tied shoelaces, two navels, distinct facial hair, pointed footwear like heels, intentionally blurred in parts, challenging anatomy and abstract shapes, fused elements, suggestive censorship with artistic bars, monochrome palette, exploratory anatomy with surreal body parts: liquid textures, elongated features, and additional elements like extra ears or limbs, reflecting an old photograph quality in black and white, cartoonish outlines, capturing that analog feel with layered textures and vintage imperfections.