Three-quarter close-up portrait of a single woman named Clandestine, situated in a city facing a zombie outbreak amidst clones, adorned in The Armor of Blood, designed by TMax Bedulenko. Set against a futuristic backdrop of a space station intertwined with elements of a Provence interior and classroom, evoking a romantic style reminiscent of 1920. The scenario features two faces, with a conceptual and draft-like portrayal interwoven with elements of Ironman, motorbike culture. Highlighted by a large head, unique shoe laces, two navels, and a long beard, the composition includes pointed footwear and heels. Despite the chaotic blend, hints of distorted anatomy—fused fingers, broken legs, and additional unexpected features—create an abstract, almost liquid-like essence. Presented in a low-res, black and white analog style, elements of old photographs, with subtle sepia tones and sketch-like qualities, offer a historical touch interspersed with cartoonish cues. Blurring features and low-quality traits like jpeg artifacts and artist name impressions enhance the narrative, weaving a surreal tapestry of unusual proportions, disappearing limbs, and exaggerated traits for an intriguing visual story.