The Scourge of the Seven Realms stands resolute amidst a tapestry of opulent ruins, adorned in gilded armor that shimmers like the surface of a stagnant pond. She grasps a sword with a blade that twists like a serpent, its facets glinting with a malevolent light. The artwork combines the sinuous curves of Art Nouveau, the grandiose ornamentation of Baroque, and the delicate intricacies of Rococo in a mesmerizing, if somewhat unsettling, portrait that inspires a mix of fascination and trepidation. Distortions abound: her fingers are elongated and seem to blend into one another, her eyes are sunken and her skin appears to be stretched taut over her skull. Jagged, cracked lines scar her face, and her hair appears to be a wild tangle of snakes. The surrounding environment is a twisted, nightmarish realm where crumbling spires and turrets seem to writhe and twist like living things, their surfaces covered in a latticework of glistening, iridescent mold. Despite the sheer, unadulterated horror that the image conveys, it is impossible to look away.