In an expansive, dimly lit, and abandoned space seen from above, three distinct sculptures are carefully arranged. At the center stands "Sculpture one," a plaster rendering of a classic wooden living room bookcase. Its slightly damaged surface exposes parts of its metallic structure, with the detailed textures of plaster and metal clearly visible. Empty shelves await the glow of a 16mm film projector, casting a black and white video of a half-naked Portuguese girl donning an urban hat onto the sculpture's form. To the right, "Sculpture two" features a folding screen crafted from paper with a wooden frame, reminiscent of a Japanese Nanban screen. The semi-open screen remains devoid of relief or adornment, instead hosting a video projection in vibrant color. This displays a biblical character in red attire wearing sunglasses against a serene blue sky, focusing solely on the face. To the left, "Sculpture three" is a wooden puppet theater accented with Alentejo textiles. Slumbering within are the "Bonecos de Santo Aleixo," delicately scaled to the hand, with the theater itself smaller in comparison to the other two sculptures. These three creations are dwarfed by the vast setting, where only faint natural light trickles through small ceiling windows, punctuated by the gentle glow of the sculptures’ projectors.