In an expansive, abandoned space with minimal natural light seeping through small ceiling windows, three distinct sculptures stand out against the vastness. In the center, "Sculpture one" resembles a classic wooden living room bookcase, crafted from plaster with hints of its metal framework peeking through its slightly damaged exterior. Its shelves remain empty, but a 16mm film projector casts a black and white video across its surfaces, displaying a half-naked Portuguese girl wearing an urban hat, as if her image seamlessly melds into the textural landscape of plaster and metal. To the right is "Sculpture two," a paper and wooden framed folding screen evoking the simplicity of a Japanese Nanban design. This semi-open, unembellished screen becomes the canvas for a vivid color video of a biblical character in red clothes and sunglasses, their visage framed against a serene blue sky. Meanwhile, on the left, "Sculpture three" presents a charming puppet theater constructed from wood and Alentejo textiles. Within this small-scale theater, the "Bonecos de Santo Aleixo" puppets lie dormant in slumber, showcasing a minute yet intricate scene relative to the larger sculptures. The only illumination, apart from the scant overhead daylight, emanates from the projectors' beams, casting a cinematic glow upon the sculptures, each contributing to the haunting, atmospheric stillness of the grand, forsaken venue.