High-contrast portraits of femme longing, informed by the enigmatic visages of Yoshitomo Nara and the quixotic whimsy of Wes Anderson's stop-motion portraits, amidst a clean-lined minimalist backdrop that echoes the aesthetic of New Casualism and Retro Minimalism. The subjects exude a quiet sensuality, their curves subtly accentuated in a nod to 1960s lingerie photography, as in the stylized depiction of the cameltoe silhouette. Compositionally, the scenes are redolent of abstract minimalist tension, with broad swaths of negative space heightening the emotional intensity of the framing, as in the candescent outlines of beret-clad subjects and streetscape vistas, all faintly tinged with a moody, sunset-hued melancholy.