Three-quarter close-up portrait of a woman, styled in a Clandestine manner, set against the backdrop of a city experiencing a zombie outbreak where all inhabitants are clones. She is adorned in The Armor of Blood, depicted by artist TMax Bedulenko. Envision her within a space station, bathed in romantic 1920s aesthetics, intersecting with a Provençal interior and a vintage classroom setting. The scene captures two faces, merging the essence of an Ironman-inspired motorbiker and the romantic era, complete with a motorbike. Her look is avant-garde with exaggerated features, such as a big head, long beard, and pointed footwear. The portrait embraces a surrealistic approach with a fusion of digital and sketch elements where anatomy is purposefully abstract—disjointed limbs, blurred lines, and ethereal textures add complexity, focusing on an artistic blend of the romantic and the futuristic. The image leans on an antique photo vibe, reminiscent of black-and-white or sepia tones, capturing a timeless yet otherworldly essence.