Three-quarter close-up portrait of a singular woman amidst a zombie outbreak in a city of clones, wearing The Armor of Blood. The setting is an eclectic mix of a space station classroom with Provencal interior elements, styled in the romantic manner of the 1920s. Two people are noticeable, each with captivating expressions, reflecting a draft painted concept reminiscent of Ironman with motorbiker flair. Features include big heads, intricately laced shoes, and unusual footwear design. Elements of dreamy blurriness highlight unique anatomical features like fused fingers, and artistic anomalies add an avant-garde touch. The color scheme leans towards monochrome, evoking nostalgia and surreal distortion, akin to an analog photo with collapsed eyeshadow and distinctive eyebrow design.