Create hyperrealistic album cover art for "The Real Brian Jarvis" featuring a steampunk-inspired wooden spacecraft with intricate Victorian-era brass fittings and cedar planking, descending through a cotton-candy sunset sky onto a vibrant neo-pastoral landscape. The landing site resembles Central Park, with manicured lawns and winding paths, surrounded by a surreal cityscape where Art Deco skyscrapers are rendered in soft, pillowy marshmallow white with subtle pink and blue highlights. The park scene is alive with retro-futuristic activity: people in contemporary clothing perform whimsical acts - some spinning iridescent LED hula hoops creating light trails, others jumping through holographic jump ropes, throwing crystalline frisbees that leave neon contrails, blowing giant prismatic bubbles that reflect the sunset, and playing translucent guitars emanating visible sound waves in neon colors. Dynamic composition with the wooden spacecraft at 2/3 height, dramatic volumetric lighting filtering through steam vents in the ship's hull, cinematic lens flares, and depth of field focusing on the spacecraft while maintaining sharp detail throughout. Style: photorealistic digital art meets synthwave aesthetic, with rich saturated colors and high contrast between the organic wooden elements and the ethereal neon activities below. 8K resolution, octane render, atmospheric perspective, golden ratio composition.