The Mad Hatter reimagined as a grotesque steampunk carnival master, face distorted through fractured brass clockwork and melting porcelain, (masterful fusion of Munch's psychological expressionism, López García's obsessive hyperrealism, and Picasso's Blue Period melancholy), dramatic wide-angle perspective creating unsettling forced perspective, ornate Victorian mechanical elements integrated with decaying circus aesthetics, deep chiaroscuro lighting with bioluminescent cyan and cobalt accents piercing through heavy shadows, impasto oil paint texture with visible sculptural brushstrokes building dimensional depth, copper and brass patina textures, tattered silk top hat with exposed gears, asymmetrical facial features warped through crystalline prisms, atmospheric fog with particles catching ambient light, extreme depth of field, cinematic composition with strong diagonal leading lines, fine mechanical details rendered in high contrast, abstracted background suggesting infinite mechanical labyrinth, color palette mixing deep midnight blues with oxidized metals and sickly carnival colors, hyperdetailed textures on corroded surfaces, dramatic atmospheric perspective, surreal scale ratios, volumetric lighting through steam and fog