A cinematic three-quarter close-up portrait featuring a single woman, caught in the midst of a city overrun by a zombie outbreak, where every inhabitant is a clone. She wears The Armor of Blood, designed by TMax Bedulenko. This scene is juxtaposed with the interior of a Provence-style classroom located on a space station, reflecting a romantic 1920s style. Two faces appear in the composition, suggesting duality and contrast. Incorporating elements such as a motorbike and a biker's gear, the woman's big head and long beard stand out, adding a surreal twist. Her pointed footwear and accessories give a nod to futuristic fashion. This piece integrates artistic imperfections such as blurred lines, distorted anatomy, and misaligned perspectives, contributing to the chaotic yet artistic narrative. Subtle details include fused fingers and a whimsical play on anatomy, offering a dreamlike blend of realism and abstraction. The monochrome palette and low-resolution texture evoke a vintage feel, capturing the essence of an old analog photograph with a unique, imaginative twist.