A 19th-century Sikh king majestically wearing a turban and a futuristic Japanese mecha exoskeleton Gundam warhammer suit, adorned with a long, heavy cape. The carbon fiber exoskeleton is intricately engraved with golden Punjabi script that imbues the suit with mystical powers. In a scene akin to Billelis art, his face is shielded by a metallic cover. Positioned centrally within the frame, the king is captured in a serene kneeling position, delicately picking up a flower from the desolate desert floor. The suit is crafted from neo-futuristic technology, seamlessly merging elements of modern history with advanced innovation, set against an endless expanse of barren desert under natural daylight. The setting is imbued with a calm and peaceful atmosphere, replete with subtle, blink-and-miss details. Inspired by the cinematic brilliance of Akira and Star Wars, and art styles reminiscent of Akira Kurosawa, Norman Rockwell, Syd Mead, Boris Vallejo, Jean Giraud Moebius, John Berkey, Eugène Delacroix, and Rembrandt Van Rijn, the scene is meticulously detailed, blending romanticism with a vision of a neo-futuristic realm.