Three-quarter close-up portrait of a single woman, shrouded in mystery, amidst a zombie outbreak in a city of clones, wearing The Armor of Blood; inspired by TMax Bedulenko. Set against the backdrop of a space station and a Provence interior, there's a juxtaposition with a 1920s romantic-style classroom. The concept captures two faces and two people, blending draft, paint, and elements of Ironman with a motorbiker theme. Features like a big head, shoe laces, and pointed footwear add intrigue, while surreal elements include two navels and a long beard. Despite the chaos, details like disfigured anatomy and mutations are artistically integrated, exposing fused fingers and ambiguous, distorted forms, creating a blurred, low-resolution, black-and-white, cartoon-like effect reminiscent of an old photo. Surreal features such as collapsed eyeshadow and multiple eyebrows, alongside missing or altered anatomy, enhance the eerie narrative, capturing a world of error-laden artistry where reality and imagination collide.