A mysterious figure stands alone, embodying the essence of the occult, with an elegant ojou-sama pose amid a city besieged by colossal monsters. This is a world where virtual reality blurs with reality, surrounded by the Shining Fragment of Ruins. Imagine an intertwining of scenes: Vincent Joyal's vivid touch alongside the mundane feel of a supermarket, the rustic vibes of a farmhouse interior, and the urban pulse of a city from the 1920s. Two faces, two personalities are encapsulated in a conceptual draft, painted into being. Picture a fusion of Ironman’s sleek design with the rebellion of a motorbike culture - a lone biker adorned with a distinct big head, intricately tied shoelaces, bearing an air of mystical authority, with two navels adding to the oddity. The facial hair is a long beard, matched with pointed footwear that adds to the character's enigmatic presence. The artwork intentionally challenges norms with a blur of reality; it embraces bad anatomy, disfigurement, mutation, creating a visual tapestry that's both chaotic and fascinating. Fused fingers and a messy drawing style denote a departure from perfection, offering instead an imperfect perusal of form. The concept flirts with the abstract, presenting blurred lines and censor bars to both hide and reveal. It's a sepia-toned throwback to a bygone era, in black and white, invoking nostalgia and surrealism. An analog photo aesthetic, marred by the visual hiccups of errors and lost details, reflects on the unreliability and distortion of memory and time.