A three-quarter close-up portrait of a solitary woman named Clandestine, amidst a zombie outbreak in a city full of clones. She is adorned in The Armor of Blood and set against the backdrop of a space station. The scene is infused with a romantic aesthetic reminiscent of the 1920s, featuring elements such as a Provence interior and a classroom setting. The composition includes a motorbike with an Ironman theme, a big-headed biker sporting a long beard and pointed footwear. The image encapsulates a sense of duality, portraying two faces and two persons, subtly hinting at concepts of mutation and fusion. Artistry combines realism with romanticized expression, capturing elements of motion and organic distortion through messy lines, blurred background, and suggestive anatomical abstraction. The arrangement conveys both a sense of nostalgia and the futuristic, marked by textural shifts and a monochrome palette that echoes early cinematic techniques.