A dramatic three-quarter close-up portrait of a single woman set in a dystopian scenario of a zombie outbreak within a city of clones. She is equipped with The Armor of Blood, designed by TMax Bedulenko, and her backdrop transitions between a space station, a Provence interior, and a 1920s romantic-style classroom. The scene creatively incorporates the essence of two faces and two concepts merged, forming a draft-like narrative. Adding a touch of science fiction, picture an Ironman-inspired motorbike and a motorbiker with an oversized helmet and pointed footwear. The imagery is intentionally surreal, with elements that defy traditional anatomy, such as fused fingers or blurred outlines, creating an abstract and dreamlike quality. Characteristics like a long beard, multiple navels, and unusual proportions add to the whimsical nature of the concept. The woman’s expression is captured in an old photo style, blending black and white tones to emphasize contrasts in the scene. Despite the chaotic setting, the atmosphere embodies a romanticism reminiscent of the early 20th century, while simultaneously hinting at futuristic themes, producing a unique, multi-layered visual narrative.