Close-up double exposure with a medical illustration vibe, set against a backdrop of a trailer park by the beach. Elements of overlap with industrial themes meet fine arts aesthetics, featuring uneven rows in a grid-like structure. The composition includes extreme screen print techniques with faded imagery, leaving ample white and negative space. Large pictures are cut off-center as if taped together, with aspects of split images creating circles of vintage appeal. Influenced by the works of Shepard Fairey, mimicking a carnival poster style through color overprinting in light blue, red, brown, yellow, and green, the scene incorporates pine trees and captures a sense of offbeat charm.