An expansive, dimly lit, abandoned exhibition space is viewed from above, showcasing three intriguing sculptures. In the center stands "Sculpture One," resembling a classic wooden bookcase, crafted from plaster with exposed sections of a metal framework. Its texture is intricate, with shelves left bare, serving as a canvas for a 16mm black and white film projection. The film depicts a half-naked Portuguese girl sporting an urban hat. To the right is "Sculpture Two," a paper and wooden folding screen evoking the aesthetic of a Japanese Nanban screen, partially open and undecorated. A colorful video is projected onto it, featuring a biblical figure clad in red with sunglasses against a serene blue sky. On the left rests "Sculpture Three," a petite wooden puppet theater adorned with Alentejo textiles, hosting the slumbering "Bonecos de Santo Aleixo" puppets. Despite their small size relative to the cavernous space, these sculptures capture attention, basking in faint natural light filtering through ceiling windows, complemented by the glow of projector lights.