A vast, abandoned exhibition space stretches out beneath a high, shadowy ceiling, with scant natural light filtering through narrow ceiling windows. In the center stands "Sculpture One," a plaster rendition of a classical wooden living room bookcase, slightly damaged to expose its metal core. The rough textures of plaster and metal are prominent, and its empty shelves carry the flickering projection of a half-naked Portuguese girl in an urban hat, captured in haunting black and white on 16mm film. To the right, "Sculpture Two" manifests as a paper folding screen with a wooden frame, evoking the simplicity of a six-part Japanese Nanban screen. This screen's surface pulsates with the colorful visage of a biblical character, adorned in vibrant red clothing and sunglasses, set against a serene blue sky. On the left, "Sculpture Three" comprises a diminutive puppet theater crafted from intricate wood and vibrant Alentejo textiles. The slumbering "Bonecos de Santo Aleixo" puppets add a touch of whimsy with their hand-scaled charm. Each sculpture is dwarfed by the cavernous space around them, illuminated only by the sparse natural light and the eerie glow of the video projectors, creating a mysterious and atmospheric scene.