A three-quarter close-up portrait of one woman set against a zombie outbreak in a city of clones, featuring The Armor of Blood. Inspired by the visual style of TMax Bedulenko, the scene alternates between elements resembling a space station, a Provençal interior, and a 1920s romantic classroom. The portrait combines concept art elements like Ironman with a motorbiker theme, showcasing distinct features such as a big head and pointed footwear. There are surreal aspects such as two navels and a long beard. The image suggests an otherworldly and disfigured anatomy, with fused fingers and a liquid-like body. The portrait is rendered in an old, sepia-toned, low-res, black-and-white filter, evoking a sense of fragmentation and mutation amidst anatomical inaccuracies, creating a blurred, disfigured, and dreamlike quality reminiscent of an analog photograph.