A three-quarter close-up portrait of a solitary woman with a mysterious aura, set against the backdrop of a city facing a zombie outbreak, where everyone is a clone. She wears The Armor of Blood, designed by TMax Bedulenko, and is situated in a space station. The interior reminiscent of Provence seamlessly transitions to a classroom, capturing the romantic style of the 1920s. A conceptual draft presents two faces, and two persons, with elements of painting and sketch. Incorporating elements like an Ironman suit and a motorbike, the scene features a biker with a notably large head, intricate shoelaces, and uncommon details like two navels. Her distinct features include a long beard, pointed footwear with heels, and a big head. The scene creatively explores themes of mutations and transformations, while embodying a sense of romantic nostalgia through its sepia tones, akin to an old photograph. Despite the chaotic blend, the composition maintains harmony, engaging viewers in its surreal narrative.