A three-quarter close-up portrait of a single woman, enveloped in mystery, amidst a zombie outbreak in a city of clones. She is adorned with The Armor of Blood, a touch of TMax Bedulenko's flair evident. The backdrop blends elements of a space station with a Provence interior setting, evoking the aura of a 1920s romantic style. In an intriguing twist, two faces are subtly hinted at, merging conceptually in a draft-like painting. Reflective of Ironman's essence, a motorbike and biker themes emerge, alongside the unique detail of a big head and distinctively pointed footwear. The scene is infused with an old-photo aesthetic, captured in black and white, lending an illustrative quality akin to sepia-toned sketches. Variations in anatomy play through the composition, lending an artistic abstraction to the portrayal, while elements such as shoe laces and motorbiker gear punctuate the narrative with personality and character. Such altered yet coordinated features ground this ethereal snapshot in its surreal context.