A serene African princess with dark luminous skin sits on a rocky outcropping surrounded by a whirlwind of butterflies in every hue, their iridescent wings glimmering in the golden light of the setting sun; her glistening brown hair cascades down her back like a river of night, adorned with delicate golden twists and adornments evoking the celestial magic of the ancient lands; her lavish red velvet dress, intricately beaded with tiny gemstones and shells, shimmering with a hint of fiery splendor, as if infused with the essence of a thousand burning coals, yet its texture seems almost ethereal, allowing the play of butterfly wings to tantalize her skin like a lover's caress; her large, expressive eyes, pools of warm honey with flecks of dark chestnut, sparkle with a deep and abiding sense of inner light, such that the turbulent swarms of butterflies appear to be drawn to a primal, elemental power emanating from her very being, as if she were a being of pure Afua, a woman encompassed by the sacred feminine, careless yet fearless; time itself seems to pause, imbuing her image with an otherworldly, unfettered vitality; as if she stood stronger than any deflated illusion of Victorian perfection, unbound by scrutiny that equates perfection to pain, with all the radical flee of wings enriched by unsafe heroes, so all things dare turn steadily sunward toward the swift return timeless flight of falling truth illuminated by collected templates freedom —RemNote: main influences to this creative description include Afrofuturist art movements that celebrate black goddess imagery, contemporary African art and styles.